In the heart of Kumartuli, where clay and devotion converge to shape divine effigies, a profound transformation is quietly taking root. Historically dominated by the skilled hands of men, the ancient art of idol-making is witnessing a renaissance—a revolution led by women who are now shaping not just idols, but the very future of this revered craft.
Gone are the days when the potter’s wheel and sculptor’s tools were the exclusive domain of men. As Sumita Pal eloquently puts it, “Earlier, idol-making was dominated by men. But now, women like us are playing a vital role. If there were 10 women in the field before, now there are 50—that’s the ratio.” Her words capture the essence of a paradigm shift that is both seismic and inspiring.
In the narrow lanes of Kumartuli, where the air is thick with the scent of wet clay and reverence, women are no longer mere participants but pioneers in their own right. They are reclaiming and redefining their space within this sacred tradition. “We’ve always been a part of the process,” Sumita continues, “but now it’s our work too. It’s empowering.”
Alpona Pal, another trailblazer in this movement, shares her experience with equal fervour. “More women in Kumartuli are stepping into the world of idol-making. We work alongside our families, bringing our own touch to the idols.” Her sentiment reflects a collective shift where women are integrating their unique perspectives and artistry into a traditionally male-centric field.
This shift is not just a change in numbers but a redefinition of the craft itself. Women are infusing traditional idol-making with fresh perspectives, blending innovation with heritage and shaping a new era in Kumartuli’s storied tradition.
Gone are the days when the potter’s wheel and sculptor’s tools were the exclusive domain of men. As Sumita Pal eloquently puts it, “Earlier, idol-making was dominated by men. But now, women like us are playing a vital role. If there were 10 women in the field before, now there are 50—that’s the ratio.” Her words capture the essence of a paradigm shift that is both seismic and inspiring.
In the narrow lanes of Kumartuli, where the air is thick with the scent of wet clay and reverence, women are no longer mere participants but pioneers in their own right. They are reclaiming and redefining their space within this sacred tradition. “We’ve always been a part of the process,” Sumita continues, “but now it’s our work too. It’s empowering.”
Alpona Pal, another trailblazer in this movement, shares her experience with equal fervour. “More women in Kumartuli are stepping into the world of idol-making. We work alongside our families, bringing our own touch to the idols.” Her sentiment reflects a collective shift where women are integrating their unique perspectives and artistry into a traditionally male-centric field.
This shift is not just a change in numbers but a redefinition of the craft itself. Women are infusing traditional idol-making with fresh perspectives, blending innovation with heritage and shaping a new era in Kumartuli’s storied tradition.
